5610 безплатни аудиофайлове за "Train Enter And Leave Station"

Vivaldi, Summer from the Four Seasons, bars 26-30

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2

*Hundred-seventeenth subharmonic on C = D-. Just: 128/117 = 155.56 cents. Limit: 31-limit. MIDI pitch bend: 99,49

King Numpty and his Knights (Part 2) by TRG Banks

King Numpty and his Knights (Part 1) by TRG Banks

Primary triad in C in just intonation. Created by Hyacinth (talk) 11:17, 22 December 2011 (UTC) using Sibelius 5.

Home Sweet Home

Harmonic Scale chromatic on C.

Binaural recording. Used in-ear microphones. It's the ambient sound of a subway station platform. A train is entering the station at the end of the recording. Doors open.

A short, noisy clip of a transmission of Lincolnshire Poacher, ENIGMA code E3.

Variant of the Habanera rhythm.

Ivor's Shop by TRG Banks

One example of imperfect consonances previously considered dissonances in Guillaume de Machaut's "Je ne cuit pas qu'onques".

Habanera tresillo rhythm for comparison with 3:2 polyrhythm.

Lifeling by TRG Banks

Chopin Nocturne in F minor

Octatonic bars from Sarabande from English Suite No 3

Habanera rhythm.

Habanera rhythm (tresillo) and 3:2 polyrhythm alternating for comparison.

3:2 polyrhythm for comparison with the Habanera tresillo rhythm.

Phrase segments in Beethoven Opus 68 I

Cuerdas al aire de un charango Richter (temple natural: 1º mi, 2º la, 3º mi, 4º do, 5º sol).

It's the sound of a subway train entering the station "frankfurter ring" in munich. It's a new type, modern subway train. You hear somebody walking towards a door pulling a trolley case. Doors open, announcement comes, doors close, train leaves.

*Six-hundred-ninety-seventh harmonic on C = E♯. Just: 697/512 = 534.02 cents. Limit: 41-limit. MIDI pitch bend: 113,74

*Eight-hundred-forty-fifth harmonic on C = A♭. Just: 845/512 = 867.37 cents. Limit: 5-limit. MIDI pitch bend: 71,53

*Six-hundred-fifty-first harmonic on C = E+. Just: 651/512 = 415.82 cents. Limit: 13-limit. MIDI pitch bend: 7,69

*68921st harmonic on C = B♯. Equal-tempered: 268921/65536:1 = 87.19 cents. Limit: 41-limit. MIDI pitch bend: 115,59

*Hundred-twenty-seventh harmonic on C = ?. Just: 127/64 = 1186.42 cents. Limit: 41-limit. MIDI pitch bend: 84,91 on M7

Rumba Clave Pattern in triple time.

Holberg Suite, prelude, bars 1-2, piano version

6/8 clave, third form (rumba clave)

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Wohlbekannte Melodie mit Oktavsprüngen

Debussy, from 'General Lavine - eccentric'

Holberg Suite, prelude bars 31-4 string version

Wohlbekannte Melodie

Debussy, the Snow is Dancing, Bars 34-38

Melodie.linear + Melodie.salical gleichzeitig

{{ennoin divisive form. Created by Hyacinth (talk) 05:09, 4 February 2012 (UTC) using Sibelius 5.}}

Rumba Clave Pattern in duple time.

Son Clave Pattern in triple time.

6/8 clave, second form (son clave)

langsamere Variante der authentischen Kadenz

6/8 clave, first form (standard pattern)

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Standard bell pattern.

clave pattern in 5/2

clave pattern in 7/4